In this one, I wanted to create an mood similar to a jail by projecting the light through something like “metal bars”.
I used a cutter and cardboard to create my bars and set a flash behind it on the right of the camera to project the shadows of the bars onto the composition.
I could have created shadows with a more defined borders by placing the flash farther from the cardboard, so that the relative size of the flash would be smaller, but for me it was ok this way, because it can be interpreted as an office curtain too, which I also found appropiate.
To emphasize the highlights and textures of my hand and give the impression that the person was in tension and sweating, I used a dropper with water to wet my hand. I used an old keyboard I had at home because by combining it with the b/w processing seemed more adequate to me than a modern keyboard.
To create this photo, I used my computer screen again as a softbox. I wanted to get the silhouette of the glass so I didn’t need a flash, and using a tripod I could choose the dof I wanted and then the necessary exposure time to get a white background.
I placed the razor blade very carefully before filling the glass until it held in the position I wanted, and then I started to fill the glass with water using a dropper, and also doing some photos of the composition while I was filling it, just in case the razor blade changed its position, in which case I could loose the shot.
Also, in the first attempts I noticed that the edges of the glass weren’t as defined as I wanted due to unwanted light coming from the screen, so I placed a couple of books as flags to reduce the amount of light on the sides of the glass to get a more defined silhouette.
Finally, I used photoshop to create the silhouette of a face and then its symmetry with a copy of the layer.
Today I’m going to start a little project about how I make some of my photos or build my light tools, usually using materials that can be found at home, because sometimes there’s no need to have an amazing studio to create decent photos. I won’t describe the details in each case, and the making of photos will probably be made with the smartphone, but feel free to ask if you have any doubts
The idea was suggested by my friend and photographer Xavier Carol, check his blog if you want: lalquimista.com
For this first photo, I used a feather I found on the street. With a cutter, I carefully cutted the feather to the point I wanted, and then I placed a decoration sword I had at home inside the feather. I wanted a dark background but also emphasize the details of the sword and feather, so I used my computer screen and a polarizing filter in the lens, rotating the filter to a point where I saw a black background.
With some exposure time, I could illuminate the objects and also keeping a dark background. Also, although I knew the final capture would be vertical, it was much easier to make the photo horizontally due to the working area of my “soft box”.
One of the interesting techniques I hadn’t still tried until now was to capture an exploding water balloon just in the moment the plastic breaks, but the water still has the shape of a balloon. I didn’t want to invest any money in laser barriers or something similar, so I built a very simple mechanism that wouldn’t give me the perfect timing but maybe an acceptable approach.
Materials I used:
2 sewing needles
A pice of plastic of about 20cm of length to build the lever.
3 meter camera cable (for ease, depending on camera position)
A plastic washbowl
A small flash with wireless remote
A bag of small water balloons
A hot glue gun if possible (or just glue)
A tripod to hold the mechanism and water balloon, and another to hold the camera.
Camera and flash settings:
Shutter of 1/100 or similar is enough, because we’ll illuminate the water balloon with the small flash only.
I recommend using an apperture of f/8 or narrower, because sometimes water goes in many directions and this way we’ll get more dof.
For the tests the flash was at 0.5m approx, at 1/64 of power. I recommend using the lowest power if possible to get a more sharp result.
Camera focus must be set to manual and I also recommend to adjust the frame for each photo since the size of the water balloons is not always the same.
Shutter trigger construction:
About the shutter trigger, my Canon 5D MKII uses an N3 connector, so I cut an old shutter cable to build the new one. It has three wires (Ground, Shutter, Focus) that will allow us to make a photo by doing a short circuit between Shutter and Ground wires. I’ve marked with a green dot the two necessary pins in the photo of the N3 connector. It’s not necessary to use the Focus wire since the camera will be in manual focus.
To build the other side of the wire, I welded each wire (Shutter, Ground) to a needle. Then I used the hot glue gun to attach the needles to a long piece of plastic with a little inclination so that if the needles touch a rigid surface they will touch each other. My initial idea was that the water of the balloon would short circuit the two wires, but at practice it didn’t result in my case, so with a little inclination in the needles they also touched each other when breaking the water balloon.
To hold the lever I used the materials I had at home, but it’s possible to hold it in many other (and better) ways.
Once the setup is mounted, a water balloon is hold with a string in front of the lever so that when the lever is released it will break the balloon and the needles will also touch each other to activate the camera shutter and make the photo, so the only thing we have to do is hold the lever in a higher position and release it to make each photo.
Photos of the parts and results:
Video of the mechanism in action:
As you can see the results are quite different between each other, because the timing was a little unpredictable. There are a lot of ways to improve this first test, trying to anticipate the explosion by placing the shutter cables in another place in the lever or changing the way the wires touch each other.
Create a tool that projects a laser net to combine with the Light Painting photography technique, so that when projecting this net over a scene, it “seems” to be a wireframing view of a 3D modeled scene.
Using only one laser pointer, create a set of horizontal and vertical lines that combined with the photo long exposure will result in a laser net. The laser pointer is moved by two RC servos controlled with a PWM signal generated by a 16F876A PIC microcontroller.
Once the circuit is done, the program can be configured to change laser speed, offset between lines and net size.
For the video I used a 7.4V LiPo battery, the voltage is regulated by a 7805, and the laser pointer uses one of the PIC 5V outputs with a 25 Ohms resistor.